To most guitar and blues aficionados, Michael Bloomfield was more than just a renowned, big-city blues guitarist. A session player who was weaned on Chicago’s legendary south side blues, Bloomfield forever altered American-based blues with his bold and passionate guitar playing. The master craftsmen at Gibson Custom have introduced the much-anticipated Michael Bloomfield VOS 1959 Les Paul Standard, an accurate re-creation of the instrument Bloomfield used to create the legendary “Bloomfield Sound.” The Michael Bloomfield VOS 1959 Les Paul Standard faithfully captures that celebrated tone, along with every precious detail of the original. Starting with the Les Paul’s traditional hand-carved maple top and solid, non-weight-relieved mahogany back, this instrument is pure Gibson, right down to such time-honored appointments like CTS potentiometers and bumblebee capacitors, holly headstock veneer, Grover kidney tuners, and a rounded neck profile similar to those on the original Les Pauls from 1959. The Michael Bloomfield VOS Les Paul is fitted with a Gibson BurstBucker 1 pickup in the neck position and BurstBucker 2 pickup in the bridge position. BurstBuckers are among the most accurate vintage “PAF” reproductions that Gibson has ever conceived, right down to the irregular windings from coil to coil and their lack of potting, 2 ingredients that contribute to an authentic late-’50s and early ’60s humbucker tone.All VOS (Vintage Original Spec) series guitars use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; imparting the look of a well cared-for 40-year-old instrument. The result is a remarkable patina that will delight even the most discriminating enthusiast. This special reissue is available in a limited release of only 200 guitars that will receive the popular VOS treatment. This signature model comes with a standard Gibson Custom case silkscreened with Bloomfield’s signature and cer

Gibson Custom Michael Bloomfield V.O.S. 1959 Les Paul Standard Electric Guitar, Bloomfield Burst

Price: $7,299.00

In 1959, the Les Paul Standard made a change to wider, fatter jumbo frets which made it a more facile guitar. The significance of this change wouldn’t be felt until the late ’60s when Clapton, Bloomfield, Peter Green, and other emerging guitarists discovered its warm, thick BurstBucker voice and fast, smooth and easy-playing neck. Then the Les Paul began its ascent toward ultimate icon status. Like all VOS (Vintage Original Spec) Series instruments, the 1959 Les Paul Standard VOS is handcrafted for comfort and playability in the Gibson Custom Shop. The construction, neck profile, hardware, and electronics are period accurate, and a special nitrocellulose finish treatment gives it the patina of a gently aged vintage guitar. Includes Gibson Custom Shop case and a certificate of authenticity.

Price: $5,699.00

In 1959, the Les Paul Standard made a change to wider, fatter jumbo frets which made it a more facile guitar. The significance of this change wouldn’t be felt until the late ’60s when Clapton, Bloomfield, Peter Green, and other emerging guitarists discovered its warm, thick BurstBucker voice and fast, smooth and easy-playing neck. Then the Les Paul began its ascent toward ultimate icon status. Like all VOS (Vintage Original Spec) Series instruments, the 1959 Les Paul Standard VOS is handcrafted for comfort and playability in the Gibson Custom Shop. The construction, neck profile, hardware, and electronics are period accurate, and a special nitrocellulose finish treatment gives it the patina of a gently aged vintage guitar. Includes Gibson Custom Shop case and a certificate of authenticity.

Price: $5,699.00

The Standard Telecaster® guitar features a fast-action neck profile modeled on a late ’60s Telecaster®. A hot single-coil pickup in the bridge position provides all the bite you want for stinging leads. In the neck position, the Standard Telecaster’s® chrome-covered single-coil pickup helps you find your own voice.

Accessories
Strings : Super Bullets® 250L, NPS (.009-.042 Gauges)
Control Knobs : Chrome Dome Style
Body
Body Shape : Telecaster®
Body Style : Solid Body Electric Guitar
Electronics
Bridge Pickup : Tele® Single-Coil Bridge Pickup
Controls : Master Volume, Master Tone
Neck Pickup : Alnico Magnet Single-Coil Neck Pickup
Pickup Configuration : S/S
Pickup Switching : 3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
Hardware
Bridge : Standard 6-Saddle Strings-Thru-Body Bridge
Hardware : Chrome
Strap Buttons : Standard Strap Buttons
String Nut : Synthetic Bone Nut
Switch Tip : “Barrel” Style Switch Tip
Tuning Machines : Standard Die-Cast Tuners
Neck
Fretboard Radius : 9.5″ Radius (241 mm)
Fretboard : Rosewood
Fret Size : Medium Jumbo
Neck Material : Maple Neck
Neck Plate : Engraved Neckplate
Neck Shape : “C” Shape
Number of Frets : 22
Nut Width : 1.650 (42 mm)
Position Inlays : Dot Position Inlays
Scale Length : 25.5″ (648mm)

Squier by Fender Standard Telecaster with Rosewood Neck- Antique Burst

Price: $229.00

Resurrecting one of the most popular electric guitars in Gibson’s history, the Melody Maker is an accurate, affordable re-creation of the original Melody Makers of the late 1950s. Originally introduced as a student model, much like the Les Paul Junior, the Melody Maker became a player’s favorite for its light weight, comfortable neck, and great tone. Today’s Melody Maker Les Paul guitar is no exception. With a period-correct pickguard housing a special design singlecoil pickup, a vintage-style wraparound tailpiece, rounded neck profile, and slim, light body, the Melody Maker is an unbelievable value for players of all ages, styles, and skill levels.

Taking design and visual cues from the Les Pauls of the ’80s and ’90s, the Les Paul Traditional Pro features BurstBucker 3 and ‘57 Classic pickups with coil-splitting, ’60s neck profile, Grover locking tuners, antique binding, period-correct pickguard, vintage Gibson top hat knobs, and the revolutionary Plek set up.With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro sports a non-chambered mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully. Each Les Paul Traditional also comes with Gibson USA’s standard black snakeskin case.Period-Correct Pickguard The creme-colored pickguard has been a Les Paul staple dating back to the models of the late 1950s and the early 1960s. Many players, however, removed the pickguard from their Les Pauls to show off the beauty of the flame maple tops, moving Gibson to stop installing the pickguard altogether. During the 1980s and 1990s, Gibson began reinstalling the pickguard in the factory, and the Les Pauls from this era once again arrived in stores bearing the classic, creme-colored pickguard. The Les Paul Traditional comes equipped with a period-correct pickguard, designed to protect the maple top.Pickups: Neck – ‘57 Classic; Bridge – BurstBucker 3 Among the qualities that make Gibson’s original “Patent Applied For” humbucking pickups so unique are the subtle variations between coil windings. For the first few years of their productions—1955 to 1961—Gibson’s PAF humbuckers were wound using imprecise machines, resulting in pickups with slightly different output and tone. The BurstBucker 3 and ‘57 Classic Plus pickups are the result of Gibson drive to capture and recreate this characteristic. Introduced in 1992, the ‘57 Classic provide

The Standard Telecaster® guitar features a fast-action neck profile modeled on a late ’60s Telecaster®. A hot single-coil pickup in the bridge position provides all the bite you want for stinging leads. In the neck position, the Standard Telecaster’s® chrome-covered single-coil pickup helps you find your own voice.

Electronics
Bridge Pickup : Tele® Single-Coil Bridge Pickup
Controls : Master Volume, Master Tone
Neck Pickup : Alnico Magnet Single-Coil Neck Pickup
Hardware
Bridge : Standard 6-Saddle Strings-Thru-Body Bridge
Hardware : Chrome
Strap Buttons : Standard Strap Buttons
String Nut : Synthetic Bone Nut
Switch Tip : “Barrel” Style Switch Tip
Tuning Machines : Standard Die-Cast Tuners
Neck
Fretboard Radius : 9.5″ Radius (241 mm)
Fretboard : Rosewood
Fret Size : Medium Jumbo
Neck Material : Maple Neck
Neck Plate : Engraved Neckplate
Neck Shape : “C” Shape
Number of Frets : 22
Nut Width : 1.650? (42 mm)
Position Inlays : Dot Position Inlays
Scale Length : 25.5″ (648mm)

Squier by Fender Standard Telecaster® with Rosewood Neck – Metallic Black

Price: $229.00

The Gibson Reverse V has a solid mahogany reverse body, with a set neck and ebony fingerboard. The neck profile is a hybrid between a 50’s/60’s shaped neck. The guitar ships with the vintage ‘57 classic pickups & one volume control.

Meet Gibson’s Reverse Flying V Electric Guitar.

Innovative. Groundbreaking. Daring. Revolutionary. Those are the words most commonly used to describe Gibson’s legendary Flying V, first introduced in 1958. In 2007, when Gibson took it a step further with the bold and fearless Reverse Flying V, people coudn’t believe their eyes. Smart guitarists grabbed one while they could, nabbing one of the most popular and collectible Gibson electrics of the past 20 years. Now, in response to a popular demand that has increased ever since the original run, Gibson USA is proud to once again offer the Reverse Flying V, in a very limited edition.

Features of Gibson’s Reverse Flying V Electric Guitar
The new limited edition Reverse Flying V features a solid mahogany, V-shaped body, four-ply pickguard, Kluson-style green key tuners, and retro-style V-shaped gold tailpiece. The neck sports the traditional Flying V profile, a hibrid between the classic ’50s rounded contour and the popular ’60s slim-taper. The ebony fingerboard and gold-plated truss rod cover round out htis testament to Gibson’s bold and pioneering design tradition. With a pair of ‘57 Classic humbuckers, for legendary vintage Gibson tone, the limited edition Reverse Flying V is available in Classic White, Ebony, and Natural.

Solid Mahogany Body
Probably the most central of the Reverse Flying V features is its V-shaped, solid mahogany body. The solid mahogany body provides tone, sustain, and performance. The mahogany goes through the same rigorous selection process as all of Gibson’s woods, and is personally inspected and qualified by Gibson’s team of skilled wood experts before it enters the factories.

Set-Neck Construction
Like all classic Gibson guitars, the necks on the new limited edition Reverse Flying Vs are distinguished by one of the more traditional features that have always set them apart–a glued neck joint. Gluing the neck to the body of the guitar insures a “wood to wood” contact, no air space in the neck cavity, and maximum contact between the neck and body, allowing the neck and body to function as a single unit.

The result? Better tone, better sustain, and no loose or misaligned necks.

Neck Profiles
No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional ’50s neck profile is the thicker, more rounded contour, emulating the neck shapes of Gibson’s iconic models of the late 1950s. The ‘60 neck profile is ocnsidered the more modern, slim-tapered contour most commonly associated with the Gibson models of the early 1960s. The neck on Gibson’s new limited edition Reverse Flying V has the best of both worlds–it is a hybrid between the ’50s rounded countour and the ’60s slim-taper profile. As with all Gibson necks, it is machined in Gibson’s rough mill using wood shapers to make the inital cuts. Once the fingerboard gets glued on, the rest– including the final sanding–is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its  respective profile, each neck will be slightly different, with a distinct but traditional feel.

22-Fret Ebony Fingerboard
Ebony has always graced the fingerboards of the word’s finest stringed instruments.  The fingerboard on Gibson’s new limited edition Reverse Flying V is constructed from the highest grade ebony on the planet. The ebony is personally inspected and qualified by Gibsno’s team of skilled wood experts before it enters the Gibson factories to be fitted. The resilience of this dense and durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The 12-inch radius of the fingerboard provides smooth note-bending capabilities and eliminates “dead” or “choked out” notes, common occurences on fingerboards with lesser radiuses. Resilient and less porous, ebony absorbs oils well, allowing it to preserve its rich, beautiful color.

‘57 Classic Pickups
Gibson pickups have been setting the standard for the guitar industry since 1935 when the company introduced its first electric model, the E-150 Hawaiian lap steel. Add the pioneering introduction of the revolutionary double-coil “humbucking” pickup invented by Gibson’s own Seth Lover in 1957 and you can clearly see that Gibson has dramatically influenced the evolution of popular music in all genres, from the warm jazz tones of Charlie Christian, to the world-shaking rockabilly of Scotty Moore and the crunching rock of Jimmy Page. The pickups in the new limited edition Reverse Flying V are Gibson’s ‘57 Classic humbuckers. With alnico II magnets and balanced coils, these pickups deliver an unmistakable vintage vibe with warm, rich tone. They are carefully hand-wound at Gibson USA in Nashville, Tennessee.

Tune-O-Matic Bridge
The tune-o-matic bridge, aslo known as the ABR-1, was the brainchild of legendary Gibson president Ted McCarty in 1954. At the time, it was a true revelation in intonation, and set a standard for simplicity and functionality that hsa never been bettered. This pioneering piece of hardware provides a firm seating for the strings, allowing the player to adjust and fine-tune the intonation and string height in a matter of minuets. It also yields a great union between the strings and body, which results in excellent tone and sustain. It is combined with a separate “stopbar” tailpiece, essentially a modified version of the earlier sustain. It is combined with a separate “stopbar” tailpiece, essentially a modified version oft he earlier wraparound bridge. To this day, the Tune-o-matic remains the industry standard. It is the epitome of forma nd function in electric guitar bridge design, and is one of the most revered and copied pieces of guitar hardware ever developed.

Electronics
When it comes to guitar electronics, less is definitely better. And that certainly holds true with Gibson’s new limited edition Reverse Flying V. Gibson has chosen to install only one volume control, which translates into less resistance between the pickup and the acutal output. This means you end up with nothing but pure tone from the pickup, and one flat-out screaming rock and roll machine.

Price: $1,499.99

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The Gibson Reverse V has a solid mahogany reverse body, with a set neck and ebony fingerboard. The neck profile is a hybrid between a 50’s/60’s shaped neck. The guitar ships with the vintage ‘57 classic pickups & one volume control.

Meet Gibson’s Reverse Flying V Electric Guitar.

Innovative. Groundbreaking. Daring. Revolutionary. Those are the words most commonly used to describe Gibson’s legendary Flying V, first introduced in 1958. In 2007, when Gibson took it a step further with the bold and fearless Reverse Flying V, people coudn’t believe their eyes. Smart guitarists grabbed one while they could, nabbing one of the most popular and collectible Gibson electrics of the past 20 years. Now, in response to a popular demand that has increased ever since the original run, Gibson USA is proud to once again offer the Reverse Flying V, in a very limited edition.

Features of Gibson’s Reverse Flying V Electric Guitar
The new limited edition Reverse Flying V features a solid mahogany, V-shaped body, four-ply pickguard, Kluson-style green key tuners, and retro-style V-shaped gold tailpiece. The neck sports the traditional Flying V profile, a hibrid between the classic ’50s rounded contour and the popular ’60s slim-taper. The ebony fingerboard and gold-plated truss rod cover round out htis testament to Gibson’s bold and pioneering design tradition. With a pair of ‘57 Classic humbuckers, for legendary vintage Gibson tone, the limited edition Reverse Flying V is available in Classic White, Ebony, and Natural.

Solid Mahogany Body
Probably the most central of the Reverse Flying V features is its V-shaped, solid mahogany body. The solid mahogany body provides tone, sustain, and performance. The mahogany goes through the same rigorous selection process as all of Gibson’s woods, and is personally inspected and qualified by Gibson’s team of skilled wood experts before it enters the factories.

Set-Neck Construction
Like all classic Gibson guitars, the necks on the new limited edition Reverse Flying Vs are distinguished by one of the more traditional features that have always set them apart–a glued neck joint. Gluing the neck to the body of the guitar insures a “wood to wood” contact, no air space in the neck cavity, and maximum contact between the neck and body, allowing the neck and body to function as a single unit.

The result? Better tone, better sustain, and no loose or misaligned necks.

Neck Profiles
No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional ’50s neck profile is the thicker, more rounded contour, emulating the neck shapes of Gibson’s iconic models of the late 1950s. The ‘60 neck profile is considered the more modern, slim-tapered contour most commonly associated with the Gibson models of the early 1960s. The neck on Gibson’s new limited edition Reverse Flying V has the best of both worlds–it is a hybrid between the ’50s rounded countour and the ’60s slim-taper profile. As with all Gibson necks, it is machined in Gibson’s rough mill using wood shapers to make the inital cuts. Once the fingerboard gets glued on, the rest– including the final sanding–is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its  respective profile, each neck will be slightly different, with a distinct but traditional feel.

22-Fret Ebony Fingerboard
Ebony has always graced the fingerboards of the word’s finest stringed instruments.  The fingerboard on Gibson’s new limited edition Reverse Flying V is constructed from the highest grade ebony on the planet. The ebony is personally inspected and qualified by Gibsno’s team of skilled wood experts before it enters the Gibson factories to be fitted. The resilience of this dense and durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The 12-inch radius of the fingerboard provides smooth note-bending capabilities and eliminates “dead” or “choked out” notes, common occurences on fingerboards with lesser radiuses. Resilient and less porous, ebony absorbs oils well, allowing it to preserve its rich, beautiful color.

‘57 Classic Pickups
Gibson pickups have been setting the standard for the guitar industry since 1935 when the company introduced its first electric model, the E-150 Hawaiian lap steel. Add the pioneering introduction of the revolutionary double-coil “humbucking” pickup invented by Gibson’s own Seth Lover in 1957 and you can clearly see that Gibson has dramatically influenced the evolution of popular music in all genres, from the warm jazz tones of Charlie Christian, to the world-shaking rockabilly of Scotty Moore and the crunching rock of Jimmy Page. The pickups in the new limited edition Reverse Flying V are Gibson’s ‘57 Classic humbuckers. With alnico II magnets and balanced coils, these pickups deliver an unmistakable vintage vibe with warm, rich tone. They are carefully hand-wound at Gibson USA in Nashville, Tennessee.

Tune-O-Matic Bridge
The tune-o-matic bridge, aslo known as the ABR-1, was the brainchild of legendary Gibson president Ted McCarty in 1954. At the time, it was a true revelation in intonation, and set a standard for simplicity and functionality that hsa never been bettered. This pioneering piece of hardware provides a firm seating for the strings, allowing the player to adjust and fine-tune the intonation and string height in a matter of minuets. It also yields a great union between the strings and body, which results in excellent tone and sustain. It is combined with a separate “stopbar” tailpiece, essentially a modified version of the earlier sustain. It is combined with a separate “stopbar” tailpiece, essentially a modified version oft he earlier wraparound bridge. To this day, the Tune-o-matic remains the industry standard. It is the epitome of forma nd function in electric guitar bridge design, and is one of the most revered and copied pieces of guitar hardware ever developed.

Electronics
When it comes to guitar electronics, less is definitely better. And that certainly holds true with Gibson’s new limited edition Reverse Flying V. Gibson has chosen to install only one volume control, which translates into less resistance between the pickup and the acutal output. This means you end up with nothing but pure tone from the pickup, and one flat-out screaming rock and roll machine.

The Gibson Les Paul Studio Electric Guitar has become one of the most desired Les Paul guitars for its tremendous harmonic and sonic capacities. The studio guitar is coveted by musicians from all genres of music and offers Les Paul performance with a modern, no-frills attitude. This Silverburst edition is lighter weight and offers a distinct look and modern features. The Les Paul Studio guitar marries a lightweight chambered mahogany back to a maple top. The mahogany set neck has a 22-fret fingerboard that is constructed from high-grade ebony. The resilience of this dense and durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The flatter 12″ fingerboard radius promotes smooth note bending and eliminates dead or choked out notes—a common occurrence on rounder, smaller radius fingerboards. The Les Paul Studio guitar’s ’60s neck profile is slim tapered emulating the neck shapes of the 1960 Les Paul Standard.The Les Paul Studio Guitar shares the same quality electronics as some of its more expensive siblings. The Gibson 490R pickup has the tonal characteristics of an original PAF, but with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490 pickup’s ideal complement. Taking the 490 one step further, the 498 swaps the Alnico II magnet with an Alnico V, thus making it a slightly hotter pickup with emphasis on mid-ranges and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge. Both pickups can be split via push/pull volme controls.

Gibson Les Paul Studio Silverburst Electric Guitar, Silverburst Chrome Hardware

Price: $1,399.99

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