New Pro Washburn Jazz Series Hollow Body Electric Guitar ~Free Hard Shell Case ~ List Price: $890.90…Big Savings!! ~Specifications~ Model: J3NK * Maple top & maple body * Maple Neck * Florentine cutaway * Bound f holes * Multi laminate binding * Rosewood fingerboard w/ block inlays * Chrome hardware * 2 humbucker Pickups * 4 knob/3 way switch * Rosewood Bridge * Washburn W jazz tailpiece * List Price: $799.90 * Case: GC78 included * Includes: Limited Lifetime Warranty

Full Hollow bodies incorporate bent sides; form-pressed bodies reveal a distinctive full acoustic design. As found on nearly all high-end hollow-bodies built in the last fifty years, a two-brace bracing system provides strength without sacrificing tone.

All SVK Products are hand built in our own factory using 100% materials and parts supplied by us from all over the world, All tooling and jigs are also supplied from our US production facility.

190NS Fretwire is exclusive to us and is a special alloy we have designed to prevent wear, tarnishing and increases the attack and sustain of each instrument like no other wire can, You will notice this as soon as you play one. The frets are hand dressed on each instrument leveling, crowning and rounding the corners are all completed by hand.

EEF Features

Set-Neck

Semi-Hollow Bound Maple Body

Full Hollow Construction

Maple Top, Back and Sides

Canadian Hardrock Maple Neck

1960′S Neck Profile

Bound Indian Rosewood Fingerboard

Thin High 190NS Fretwire Exclusive

Pearl Block inlays

Two Way Truss Rod

Rosewood Bridge

Gold Tailpiece

EVJ-Alnico 500 Pickups

SVK JAZZ FULL HOLLOW BODY SETNECK ELECTRIC GUITAR W/GOLD HARDWARE BLACK

BodyShape: Dreadnought Body with Cutaway
Neck: Mahogany Neck
BackSides: Mahogany Back and Sides
Top: Solid Engelmann Spruce Top
Body: Maple Body and Neck Binding
Rosette: Abalone Rosette
Tuners: Ibanez Gold Die-Cast Tuners with Brown Pearloid Knob
Pickup: Fishman® Sonicore Pickup
Electronics: Ibanez AEQ-SST Shape ShifterTM Preamp with Onboard Tuner
Outputs: Balanced ¼” and XLR Outputs
Fretboard: Rosewood Bridge and Fretboard
Saddle: Ivorex II TM Nut and Saddle
BridgePins: AdvantageTM Bridge Pins
Strings: D’Addario® EXPTM Strings
Finishes: Dark Violin Sunburst High Gloss Finish

An inlayed “C” at the 12th fret identifies this timeless beauty a classic. All other features are pure Gibson deluxe including, a laminated curly maple body, binding on top and bottom, a bound rosewood fingerboard with pearloid trapezoid inlays, Grover Keystone tuners, a Tune-o-matic bridge with stop tailpiece, and black speed knobs.

Maple body Maple top Venetian cutaway Rosewood fingerboard Gold Hardware Bound F holes 4 knob/ 3 way switch Rosewood bridge Washburn W jazz tailpiece Abalone split block inlays Raised black/white pickguard

The ES-335 Fat Neck was introduced by the Gibson Custom Shop in 2008. For players who prefer a larger, heavier neck with a rounded profile for any reason–playing technique, larger hands, resonant characteristics, or just a true vintage look and feel–this historic reissue is the perfect instrument.

Countless music legends have immortalized Gibson’s ES-335.

Two ‘57 Classic humbucking pickups and stopbar tailpiece.

Headstock with rich holly veneer and vintage tulip style tuners.

History
The Fat Neck is patterned on the run of 521 ES-335s produced by Gibson’s original Kalamazoo factory in 1959. This distinctive six-string still has all the same winning tonal qualities as the Custom Shop 335s modeled in 1958: warm, darker, mellow rounded tones perfect for jazz or blues, supercharged with the edge, sustain, and plain authority that comes with semi-hollowbody design.

In keeping with the vintage ’59s, the ES-335 Fat Neck not only boasts the correct rounded ‘59 one-piece mahogany neck profile, but the slightly smaller body of the originals and vintage lightweight maple centerblock construction. The Fat Neck’s body measures 16 inches wide, 19 inches long, and 1.7-inches deep.

Body and Finishes
Each Custom Shop ES-335 Fat Neck has a plain maple top, back, and rims with a three-ply maple body construction and that vintage lightweight maple centerblock. Models are available in antique red finish, antique natural, antique ebony, and antique vintage sunburst. The pearloid dot inlays give the guitar its distinctive moniker, and they are balanced by a single-ply cream binding along the neck, top, and back.

Neck and Hardware
All hardware is nickel, and there’s a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece. True to the original ES-335s, the neck has the rounded 1959 profile and a 24-inch scale length with an 1 11/16th-inch width at the nut. The headstock has a rich holly veneer and the tuners are vintage tulip style.

As with many other iconic Custom Shop reproductions of great Gibsons from the ’50s and ’60s, the 1959 ES-335 Fat Neck model has two ‘57 Classic humbucking pickups, two volume pots, two tone pots, and a three-way pickup selector switch. The guitar sports Gibson Brite Wire .010s strings.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can’t do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not “seal” wood in an airtight shell–as a poly finish does–and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast.

Gibson Custom ES-335 Dot Electric Guitar, ‘Fat-Neck,’ Antique Vintage Sunburst

New Pro Washburn Hollow Body Electric Guitar HB35WRK ~Equiped With Washburn 621 Neck Pickup & 623 Bridge Pickup Gold Grover® 18:1 Gear Ratio Tuners And A Free Hard Shell Case ~ List Price: $979.90…Big Savings!! ~Specifications~ Model: HB35WRK * Maple body * Flamed maple top * Double cutaway semi-acoustic body * Gold hardware * Bound f holes * Multi laminate binding * Raised black/white pickguard * Rosewood fingerboard * Split block inlays * Tune-o-matic bridge * Stop bar tailpiece * Washburn 621 neck pickup & 623 bridge pickup * 4 knob/3 way switch * Gold Grover® 18:1 gear ratio tuners * Maple neck * Neck radius: 320mm * 24.75″ Scale * 22 frets * Joined at the 19th fret. * Nut Width: 1 5/8″ (43mm) * Case: GC71 included * Color: Wine Red * Includes: Limited Lifetime Warranty

Incoming search terms for the article:

• get over an ex

Maple top & maple body Maple Neck Florentine cutaway Bound f holes Multi laminate binding Rosewood fingerboard w/ block inlays 2 humbucker Pickups 4 knob/3 way switch Rosewood Bridge Washburn W jazz tailpiece

Maple body & top Chrome hardware Double cutaway semi-acoustic body Bound f holes Multi laminate binding Raised black/white pickguard Tune-o-matic bridge Stop bar tailpiece Neck pickup: 621 with open coils Bridge pickup: 623 with open coils 4 knob/3 way switch Chrome Grover® 18:1 gear ratio tuners Maple neck Neck radius: 320mm 24.75″ scale 22 frets Joined at the 19th fret.

Maple top & maple body Maple Neck Florentine cutaway Bound f holes Multi laminate binding Rosewood fingerboard w/ block inlays 2 humbucker Pickups 4 knob/3 way switch Rosewood Bridge Washburn W jazz tailpiece