The Gibson Custom Shop Les Paul Custom Electric Guitar has a one-piece mahogany neck, carved maple top and warm-toned mahogany body. An ebony fingerboard gives it a bright attack. 490R and 498T Gibson humbuckers deliver warm rhythm and hot, solid lead sounds. Gibson also includes a Tune-O-Matic bridge, stopbar tailpiece, and bound body, neck, and headstock with gold hardware. Check the drop-down menu to the right to select colors and/or other options.

Full Hollow bodies incorporate bent sides; form-pressed bodies reveal a distinctive full acoustic design. As found on nearly all high-end hollow-bodies built in the last fifty years, a two-brace bracing system provides strength without sacrificing tone.

All SVK Products are hand built in our own factory using 100% materials and parts supplied by us from all over the world, All tooling and jigs are also supplied from our US production facility.

190NS Fretwire is exclusive to us and is a special alloy we have designed to prevent wear, tarnishing and increases the attack and sustain of each instrument like no other wire can, You will notice this as soon as you play one. The frets are hand dressed on each instrument leveling, crowning and rounding the corners are all completed by hand.

EEF Features

Set-Neck

Semi-Hollow Bound Maple Body

Full Hollow Construction

Maple Top, Back and Sides

Canadian Hardrock Maple Neck

1960′S Neck Profile

Bound Indian Rosewood Fingerboard

Thin High 190NS Fretwire Exclusive

Pearl Block inlays

Two Way Truss Rod

Rosewood Bridge

Gold Tailpiece

EVJ-Alnico 500 Pickups

SVK JAZZ FULL HOLLOW BODY SETNECK ELECTRIC GUITAR W/GOLD HARDWARE BLACK

History speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the world’s first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.

Countless music legends have immortalized Gibson’s ES-335.

Two ‘57 Classic humbucking pickups and stopbar tailpiece.

Grover kidney-shaped tuners.

Today the Gibson Custom Shop creates exacting duplicates of the ES-335 as it first left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in popularity, peaking in 1967 thanks largely to Eric Clapton’s high-profile use of a cherry ES-335 in the band Cream.

Body and Finishes
The Custom Shop ES-335 is available with many finish options, reflecting the color choices that have evolved over the model’s 50-year history. In Satin finish, trans black and cherry colors are available, with a plain maple top, back, and rims. Ebony is available only in plain maple. With the figured maple top, back, and rims option, cherry, tri-burst, antique natural, light burst, and vintage sunburst colors are available. Wine red, trans brown, Beale Street Blue, and cinnamon burst finishes are also available in limited quantities, along with gold hardware, for figured and for plain maple models.

Regardless of color, the ES-335 retains its classic proportions: 16 1/2-inches wide, 20-inches long, and 1 3/4-inches deep. The neck is one-piece mahogany beneath a 22-fret rosewood fingerboard with pearloid inlays and a single-ply binding. Additionally, there’s single-ply binding on the top and back.

Hardware
All hardware is nickel, and there’s a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece. Neck length is 24 3/4 inches with a 1 11/16-inch nut width. Satin finish models have vintage style tulip shaped tuners, while figured and plain tops come with Grover kidney-shaped tuners. All Custom Shop ES-335s have powerful ‘57 Classic humbucking pickups, two volume pots, two tone pots, and a three-way pickup selector switch. They are strung with Gibson Brite Wire .010 strings and come safely nestled in a black levant case.

Famous Players
Spanning numerous decades, the ES-335 has been in the hands of countless musicians. From Chuck Berry’s numerous performances to Alvin Lee’s incendiary performance at Woodstock to Police’s 2008 tour in NYC, the ES-335 has been the instrument of choice for any players seeking gorgeous, round, mellow tones, tempered with the edge and sustain of a full-blooded solidbody electric like the Les Paul.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can’t do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not “seal” wood in an airtight shell–as a poly finish does–and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast.

Gibson Custom ES-335 Dot Electric Guitar, Antique Natural, Figured Maple

Maple body Maple top Venetian cutaway Rosewood fingerboard Gold Hardware Bound F holes 4 knob/ 3 way switch Rosewood bridge Washburn W jazz tailpiece Abalone split block inlays Raised black/white pickguard

Designed and Signed by Pat Metheny  They hounded him for years, but Pat Metheny wasn’t interested in an Ibanez bearing his signature. Finally they convinced him they were serious. It took years more before they finally came up with an axe he liked more than the one he was playing. What they came up with was this guitar. The upper bout cutaway lets the neck join the body at the 17th fret for finger-flying freedom beyond the traditional jazz hollowbody. Maple top, back, and thinline sides with 2 Silent 58 humbuckers provide a thick, modulated jazz tone with a lot of flexibility. Gold hardware multiple top binding, and neck/head binding combine with tripartite MOP inlays on an ebony fretboard for fabulous looks. Signed by Pat Metheny with official certificate from Ibanez.  Includes the original hardshell case.

History speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the world’s first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.

Countless music legends have immortalized Gibson’s ES-335.

Two ‘57 Classic humbucking pickups and stopbar tailpiece.

Grover kidney-shaped tuners.

Today the Gibson Custom Shop creates exacting duplicates of the ES-335 as it first left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in popularity, peaking in 1967 thanks largely to Eric Clapton’s high-profile use of a cherry ES-335 in the band Cream.

Body and Finishes
The Custom Shop ES-335 is available with many finish options, reflecting the color choices that have evolved over the model’s 50-year history. In Satin finish, trans black and cherry colors are available, with a plain maple top, back, and rims. Ebony is available only in plain maple. With the figured maple top, back, and rims option, cherry, tri-burst, antique natural, light burst, and vintage sunburst colors are available. Wine red, trans brown, Beale Street Blue, and cinnamon burst finishes are also available in limited quantities, along with gold hardware, for figured and for plain maple models.

Regardless of color, the ES-335 retains its classic proportions: 16 1/2-inches wide, 20-inches long, and 1 3/4-inches deep. The neck is one-piece mahogany beneath a 22-fret rosewood fingerboard with pearloid inlays and a single-ply binding. Additionally, there’s single-ply binding on the top and back.

Hardware
All hardware is nickel, and there’s a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece. Neck length is 24 3/4 inches with a 1 11/16-inch nut width. Satin finish models have vintage style tulip shaped tuners, while figured and plain tops come with Grover kidney-shaped tuners. All Custom Shop ES-335s have powerful ‘57 Classic humbucking pickups, two volume pots, two tone pots, and a three-way pickup selector switch. They are strung with Gibson Brite Wire .010 strings and come safely nestled in a black levant case.

Famous Players
Spanning numerous decades, the ES-335 has been in the hands of countless musicians. From Chuck Berry’s numerous performances to Alvin Lee’s incendiary performance at Woodstock to Police’s 2008 tour in NYC, the ES-335 has been the instrument of choice for any players seeking gorgeous, round, mellow tones, tempered with the edge and sustain of a full-blooded solidbody electric like the Les Paul.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can’t do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not “seal” wood in an airtight shell–as a poly finish does–and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast.

History speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the world’s first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.

Countless music legends have immortalized Gibson’s ES-335.

Two ‘57 Classic humbucking pickups and stopbar tailpiece.

Grover kidney-shaped tuners.

Today the Gibson Custom Shop creates exacting duplicates of the ES-335 as it first left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in popularity, peaking in 1967 thanks largely to Eric Clapton’s high-profile use of a cherry ES-335 in the band Cream.

Body and Finishes
The Custom Shop ES-335 is available with many finish options, reflecting the color choices that have evolved over the model’s 50-year history. In Satin finish, trans black and cherry colors are available, with a plain maple top, back, and rims. Ebony is available only in plain maple. With the figured maple top, back, and rims option, cherry, tri-burst, antique natural, light burst, and vintage sunburst colors are available. Wine red, trans brown, Beale Street Blue, and cinnamon burst finishes are also available in limited quantities, along with gold hardware, for figured and for plain maple models.

Regardless of color, the ES-335 retains its classic proportions: 16 1/2-inches wide, 20-inches long, and 1 3/4-inches deep. The neck is one-piece mahogany beneath a 22-fret rosewood fingerboard with pearloid inlays and a single-ply binding. Additionally, there’s single-ply binding on the top and back.

Hardware
All hardware is nickel, and there’s a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece. Neck length is 24 3/4 inches with a 1 11/16-inch nut width. Satin finish models have vintage style tulip shaped tuners, while figured and plain tops come with Grover kidney-shaped tuners. All Custom Shop ES-335s have powerful ‘57 Classic humbucking pickups, two volume pots, two tone pots, and a three-way pickup selector switch. They are strung with Gibson Brite Wire .010 strings and come safely nestled in a black levant case.

Famous Players
Spanning numerous decades, the ES-335 has been in the hands of countless musicians. From Chuck Berry’s numerous performances to Alvin Lee’s incendiary performance at Woodstock to Police’s 2008 tour in NYC, the ES-335 has been the instrument of choice for any players seeking gorgeous, round, mellow tones, tempered with the edge and sustain of a full-blooded solidbody electric like the Les Paul.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can’t do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not “seal” wood in an airtight shell–as a poly finish does–and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast.

Gibson Custom ES-335 Dot Electric Guitar, Vintage Sunburst, Plain Maple

If the Les Paul is the “King of Solidbody Electric Guitars”, then the Epiphone Les Paul Black Beauty is in His Majesty’s full glory. The appropriately fully-bound Ebony Mahogany body is fitted with a set, Mahogany neck, with Rosewood fretboard brandishing “block” inlay, crowned with “split-diamond” Abalone headstock inlay and is ornamented with Gold hardware, including Grover tuners. The vintage sound of this stunner is provided by a threesome of high-output Alnico Classic Humbucker pickups. Our new Epiphone LockTone™ locking Tune-o-matic bridge and Stop-bar tailpiece gives you additional rich tone and wonderous Les Paul sustain.

Epiphone LP Black Beauty 3 Les Paul Collection Electric Guitar, Ebony

New Pro Washburn Hollow Body Electric Guitar HB35WRK ~Equiped With Washburn 621 Neck Pickup & 623 Bridge Pickup Gold Grover® 18:1 Gear Ratio Tuners And A Free Hard Shell Case ~ List Price: $979.90…Big Savings!! ~Specifications~ Model: HB35WRK * Maple body * Flamed maple top * Double cutaway semi-acoustic body * Gold hardware * Bound f holes * Multi laminate binding * Raised black/white pickguard * Rosewood fingerboard * Split block inlays * Tune-o-matic bridge * Stop bar tailpiece * Washburn 621 neck pickup & 623 bridge pickup * 4 knob/3 way switch * Gold Grover® 18:1 gear ratio tuners * Maple neck * Neck radius: 320mm * 24.75″ Scale * 22 frets * Joined at the 19th fret. * Nut Width: 1 5/8″ (43mm) * Case: GC71 included * Color: Wine Red * Includes: Limited Lifetime Warranty

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An ebony fingerboard with pearl block inlays gives it a bright attack. 490R and 498T Gibson humbuckers deliver warm rhythm and hot, solid lead sounds. Includes gold hardware and multi-layered binding on body, neck, and head.

Incoming search terms for the article:

• les paul wine red